In editing Jam, I’ve found some CD reviewers get into what I find to be the musical weeds, praising elements like “rapid fire sixteenth-note bursts.” I’ve never attended a music class in my life and I wouldn’t know a sixteenth note burst from the movie Sixteen Candles. My reaction to music is more simplistic and visceral. It generally boils down to either (a) I like it or (b) I don’t like it.
Repeatedly you’re struck by how integral each musician is to this music. Any piano trio could easily devolve into little more than the pianist’s showcase. And Pagan’s playing, consistently expressive, excels. But it is the artistry and interplay between three of today’s Kansas City jazz masters that gives this CD its exceptional voice.
The Ottawa Sessions can be found on Amazon here, on CDBaby here, and on iTunes here.
Carlson’s name may grace the cover of the CD, but his role here is more often that of host and glue, clearly driving the rhythm but letting the other musicians shine. On the title tune, Scheps and Rosenberg invitingly layer saxophones over and around Carlson’s compelling guitar. On the ballad First Song, Rosenberg’s bass clarinet glides beautifully, followed by Scheps’s smooth but darting flute, before both weave together with grace.
Stellar KC vocalists join three of the numbers. Angela Hagenbach romps with Scheps and Rosenberg on the exquisitely fun Bye Bye Country Boy. A Felicidade finds Scheps’s flute bouncing around Shay Estes’s Portuguese vocals. A Beautiful Friendship opens with Kathleen Holeman over Bowman’s bass before the entire ensemble swings in.
Kind Folk is available on CDBaby here.
But not all. The brief For Parkville is one of the most conventional and most appealing numbers to a non-music-educated luddite like me. Carousel brings to mind a slightly off-kilter score to a Fellini film. Both feature Metheny on keyboards. He’s on keyboards on most numbers here. His flugelhorn comes out on Home, with a sound smoothly dense and welcome.
Much of this music rides the edge of jazz. I understand and appreciate an artist reaching for new directions. But sometimes electronic experimentation in music leads me to greater appreciation of the conventional. I suppose that’s just the simple and visceral in me.
Twelve For the Road is available on Amazon here, on CDBaby here and on Mike Metheny’s website here.
Monday, November 30, 2015
Three CDs Reviewed Simply and Viscerally
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Thanks for the Jazz-4-Dummies take, which most of us, if being honest, would have to admit is just the right level. :-)ReplyDelete
A secret clue I use to pick jazz albums: Is Bowman on it?